We ride the Fast And Furious series from B- movie start to A- list finish. Club. With Run The Series, The A.

The Fast and the Furious (also known as Fast & Furious) is an American franchise based on a series of action films that is largely concerned with illegal street. Official movie site for The Fate of the Furious, the next installment in the Fast and Furious franchise. Watch the trailer here. In theaters April 14, 2017. In a few days it will finally arrive: Furious 7, the latest and biggest installment of the Fast & Furious franchise. And while the death of series star Paul Walker.

V. Club examines film franchises, studying how they change and evolve with each new installment. The summer of 2. 00. There were follow- ups to Rush Hour, The Mummy, and American Pie; even Jurassic Park III did well. In addition, many of that summer’s non- sequels became part ones later, spawning additional installments that range from massive successes (the Shrek franchise) to footnotes (Legally Blonde 2: Red, White, And Blonde). Yet 1. 4 years later, most of these series have long since ended.

After long delays, The Mummy and Rush Hour managed one more sequel apiece, while Jurassic Park went into a decade- plus hibernation of development. Shrekmania subsided by 2. Planet Of The Apes, which Fox hoped to jump- start as a new series in 2. Somehow, the last man standing from the summer of 2. Vin Diesel. The Fast And The Furious was a big hit, but it didn’t seem at the time like a franchise play. If anything, it felt like counterprogramming to the season’s trendier blockbusters. Rather than movie stars or cutting edge effects, it relied on a spirited if clich.

• Directed by Justin Lin. With Vin Diesel, Paul Walker, Michelle Rodriguez, Jordana Brewster. Brian O'Conner, back working for the FBI in Los Angeles, teams up with.
• Catching up with the Fast & Furious: a complete guide to the movies so far.
• The Fast and the Furious (also known as Fast& Furious) is an American franchise including a.

As with many less sequel- ready hits, The Fast And The Furious spawned one anyway; no one seemed particularly surprised to see a lackluster follow- up two years later with only one major member of the original cast. That The Fast And The Furious led into one of the longest- running continuous series in movies today, though, defied expectations—as did its creative surge right around the time that most series Tokyo Drift themselves into brick walls. Furious 7, the most recent installment, isn’t just the highest- grossing movie of the series; it’s also the highest- grossing and best- reviewed part seven ever outside of the Harry Potter dynasty. Though the seventh film draws the saga to a close in certain ways, an eighth film is assured, and at this point, a ninth and a 1. In its current incarnation, the Fast And Furious series essentially fulfills the promise of Sylvester Stallone’s Expendables movies, only without as much half- assed winking at itself. Real Housewives Of Atlanta Season 4 Episode 5 Sidereel. This is where action fans go to see what it would be like if Dwayne “The Rock” Johnson fought Jason Statham, or to watch Michelle Rodriguez square off against Gina Carano, or to speculate about what it might look like if Vin Diesel and The Rock conducted a semi- clandestine sexual affair (that last one requires some extrapolation outside the text of the movies, though not that much). Unlike the Expendables movies and any number of big, disappointing action pictures, these fantasy match- ups are supported, at least in the later films, by well- choreographed and satisfying set pieces.

But it took some work to get the point where a drag- race franchise is now known for its standard- setting action scenes. The Fast And The Furious contains only one really elaborate set piece, a late- movie truck robbery that feels like a miniature version of the hood- leaping, body- dangling decathlons engineered by the later movies. Most of the rest is an enjoyable m. The soundtrack in particular bumps with a jumpy mixture of musical detritus, including a remix of Limp Bizkit’s “Rollin’” and a lot of Ja Rule, who also co- starred.

Beyond the verbal references to quarter- miles (the amount of time/distance by which Dom lives his life), Corona (Dom’s beer of choice), and family (a deceptively important concept for a gang of street- racers), The Fast And The Furious establishes the series- long relationship between Dom and Brian. They aren’t really buddy- buddy until the end of the fourth movie, but their bond begins in the first, with Walker playing the part of the moony- eyed little brother, alternately stepping to and beaming with admiration at the charismatic bruiser with the pavement- scrape voice. Throughout the series, Brian’s love of Dom feels subsumed in his supposed desire for Mia (Jordana Brewster), Dom’s more responsible sister, who eventually gets pregnant with Brian. Even the first film, which centralizes Mia like none of the others, ends on a moment of restrained passion between Brian and Dom, not Brian and Mia. That ending of the first film, where Brian gives Dom a head start rather than arresting him for his crimes, cements such a strong connection between the pair that the first two sequels achingly lack. Walker rolls into 2 Fast 2 Furious like a returning hero, reaching peak bro- ness early and often, not least because of the movie’s vast array of uttering and pronunciation of the word “bro” (including “bro,” “bruh,” and “bray”). But Brian’s childhood buddy Roman (Tyrese Gibson) proves a less- than- satisfying replacement for Dom—and his awareness of this provides one of the movie’s most entertaining through- lines, where Roman treats Brian not as an estranged friend returning to their old stomping ground but as a lover who once spurned him, eager to love- wrestle him to the ground in revenge.

The pair’s bro- tastic homoeroticism, intentional or not, sets the movie apart from its predecessor, and sets a pattern of homoerotic subtext that future entries would echo but not equal. Otherwise, 2 Fast is just another amusingly dumb cop action movie with breaking- news exposition like, “Unfortunately, the cartels have been successful in getting drugs into Miami.” Any reminders, however superficial, of Miami Vice make a kind of time- warped sense; 2 Fast 2 Furious is basically an ’8. Style- wise, director John Singleton traffics in tight close- ups of racers’ darting eyes and plenty of computer- assisted zooms between cars in lieu of cuts (some of which weirdly, and not particularly skillfully, suggest the visual invention of the Wachowskis’ Speed Racer). Also: shots of butts. The Fast And The Furious has scantily clad women hanging out at the races, especially in the desert- set and unfortunately named Race Wars expo, but 2 Fast 2 Furious really ups the ante, butts- wise, perhaps unmatched until James Wan uses them as kind of an audience pacifier in Furious 7.

Don’t worry, the most recent sequel reassures: The director may have changed and Paul Walker may be about to leave, but these movies still take place in an extremely butt- centric universe. Showtime Full Wild Target Online Free more. Singleton does a great job of making Rob Cohen, director of Stealth and The Skulls, seem like an elegant classicist, but both of them keep that universe relatively grounded—cop- movie stupid and ridiculous, not action- movie stupid and ridiculous.

The upgrade in the quality of the franchise’s ridiculousness, and the gear shift into the modern action- adventure genre, was supervised by Justin Lin, who steered the series out of a Tokyo Drift dead- end, then leapt off the hood of the car after Fast And Furious 6. Though some The Fast And The Furious: Tokyo Driftcultists inexplicably insist that it’s the best of the series, in retrospect it’s clearly a practice course for Lin, a kind of Fast And Furious Junior that’s ultimately (and not excitingly) about some high- school kids who know some guys in the Yakuza.

Tokyo Drift in particular fudges some of its big moments: The climactic race takes place under cover of indistinct darkness, and Lin repeatedly uses point- of- view cheats when he sends his cars screeching around hairpin turns. Lin opens Fast & Furious, the fourth movie and the first reunion of the first movie’s core players, with a crackerjack truck heist, inching toward what the series would become, but its uneasy special- effects balancing of real metal with pixelated explosions mutes the impact of its chases through a mountain tunnel. By the time Fast Five picks up exactly where the previous movie leaves off, though, Lin really has it down; its first major action sequence (following an abbreviated assault on a prison bus) involves a train and multiple cars, one of which soars off a cliff as Dom and Brian redefine the terms of a survivable nick- of- time escape.

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